Linguistic creativity has many facets and is an expression of the human ability to play with words, create something new and vary forms of expression. One example is the creation of new words by merging existing terms into a new one or creating new "blend words" by merging word components. "Britain" and "exit" thus become "Brexit" – a neologism that describes the United Kingdom's withdrawal from the EU. Or the "Teuro” (blending the German words “teuer” (expensive) and “Euro”) as an expression for price increases after the introduction of the euro. Other creative forms of language include alliteration - the repetition of initial letters in consecutive words - or the use of words in a new context by borrowing terms or phrases from their original context and using them in a completely new sense. But how are such neologisms created? What happens when linguistic routines are extended depending on the situation?
"Using linguistic creativity, we can create new communicative possibilities that go beyond anything we have heard before and say things we have never said before", says Prof. Dr. Thomas Hoffmann. The holder of the Chair of English Linguistics at the KU has long been working on cognitive approaches to language variation. His research is based on construction grammar. This theory assumes that our ability to speak is based on a series of constructions. These pairings of form and meaning range from fixed phrases to free sentence components. People familiarize themselves with these constructions not only through frequent repetition, but also through cognitive processes such as analogy formation and the recognition of patterns. "Previous models explain practically all linguistic phenomena, how people learn language and use it in a creative way – but only retrospectively", says Hoffmann. His aim is to develop an innovative neurocognitive language model that enables predictions to be made which can then be investigated in empirical studies.